For 2018 Colón kicked off his "Rumba Del Siglo" (Jam of the Century) World Tour performing in U.S., Latin America and Europe to mostly sold-out venues. In 2017, Colón announced his upcoming book titled Barrio de Guapos ( The Secret Life of Willie Colón) and the launching of his record label Willie Colon Presents. In 2016, Colón began his 50th Anniversary Tour.
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The court documents can be read here and full transcripts of depositions and court rulings can be seen hereĬolón released two singles, "Amor de Internet" and "Corazón Partido", to promote for his album El Malo Vol II: Prisioneros del Mambo. Morgalo, and published in 2016 in both English and Spanish website. A book titled "Decisiones" detailing the inside story of the legal battle was written by Blades' former agent, Robert J.
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This led to a series of suits and countersuits that lasted over five years. In May 2007, Colón sued Ruben Blades for breach of contract. He uses his songs to depict and investigate the problems of living in the United States mainland as a Puerto Rican, and also to imply the cultural contributions that Puerto Ricans have to offer.
One significant overarching theme in Colón's music, which draws from many cultures and several different styles, is an exploration of the competing associations that Puerto Ricans have with their home and with the United States. On his website, Colón claims to hold the "all time record for sales in the Salsa genre, created 40 productions that have sold more than thirty million records worldwide." He went on to have many successful collaborations with other salsa musicians and singers, such as Ismael Miranda, Celia Cruz, Soledad Bravo, and singer-songwriter Rubén Blades. On July 12, 2018, Willie Colón became the first Latin artist to perform at Paris' Bataclan theater after the 2015 terrorist attack. The lyrics and music of the songs on this album "enact the diaspora addressing the island culture in a complex, loving but at the same time mildly challenging way." "His life and music commute back and forth between his home turf in the Bronx and his ancestral Puerto Rico, with more than casual stop-offs in other musical zones of the Caribbean." Colón "makes the relation between diaspora and Caribbean homeland the central theme of his work," particularly in his 1971 Christmas album, Asalto Navideño. Combining elements of jazz, rock, and salsa, his work incorporates the rhythms of traditional music from African descendants in Cuba, the Dominican Republic, Puerto Rico, and Brazil, representing mostly a one-way flow from Puerto Rico to the New York-based diaspora. Music career īeyond the trombone, he has also worked as a composer, arranger, and singer, and eventually as a producer and director. Colón became the first person of color to serve on the American Society of Composers, Authors and Publishers (ASCAP) national board, replacing Stephen Sondheim, and was also a member of the ASCAP Foundation. He has served as a member of the Latino Commission on AIDS and President of the Arthur Schomburg Coalition for a Better New York, member of the Board of Directors of the Congressional Hispanic Caucus Institute. He has also acted in films, including roles in Vigilante (1983), The Last Fight (1983), Miami Vice (in the season 3 episode "Cuba Libre") (1987) and It Could Happen to You (1994).Ĭolón has been a civil rights, community, and political activist since the age of 16. The main record producer at Fania at the time, Johnny Pacheco, recommended Héctor Lavoe to him. Īt the age of 15, he was signed to Fania Records, and at 17, he recorded his first album, which ultimately sold more than 300,000 copies. He spent some summers at his maternal grandmother's sister's farm in the outskirts of Manatí, Puerto Rico on the road to neighboring Ciales, Puerto Rico.
He picked up the trumpet from a young age, and later switched to trombone, inspired by the all-trombone sound of Mon Rivera and Barry Rogers. Colón was born in the South Bronx in New York City to Puerto Rican parents.
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